Showing posts with label solitude. Show all posts
Showing posts with label solitude. Show all posts

Friday, July 15, 2011

Cave


The space is illuminated in soft yellow light bordering on orange. It comes from an unseen source. It’s cast over everything, creating the sense of a space that exists outside the extremes of day and night. It is a chamber neither lit nor dark, cloaked in a space that seems to be free from the constraints of time. The light is warm, almost embodying a feeling within its colors, a warmth that is calming and safe and full of something that can be perceived but not fully described.
The chamber is enclosed on all sides by thick rock walls made only of natural curves and a stucco-like texture. There are no clear angles or smooth surfaces, just raw rock hollowed naturally to create a near-perfect circular chamber without windows. The boundaries of the space are seamless, wall gradually drifts down, becoming earth without announcement or clear distinctions. Higher up, the walls gradually merge into ceiling, an entire space without boundaries or clear definitions or hard angles. The walls are thick, there is a mountain between me and the sky I vaguely remember.
In the center of the space is a small naturally occurring pool of water. The edges of the earth around it are moist and small green sprouts gradually give way to pure water that ripples with tints of yellow and green. Foliage is scattered through the chamber, it grows up through jagged cracks in the rock, sprouting green shrubs with long thin leaves. Some have tiny white flowers in the shape of miniature cones. In abundance by the pool, growing thick and in bunches, they display their obvious preference for moisture.
The cave is completely silent save the soft sound of slowly lapping water. I can feel the thickness of the walls, the intense isolation of the chamber.
A man is in the water. His torso appears to be floating, riding the edge between water and air. His legs are submerged, visible only as shifting pale light without clear shape. The skin of his chest and arms looks quite white, very bright in contrast to the dim light. His dark-hair-covered chest glistens with a sheen of water, leaves and small twigs are entwined in the flowing mass of his long black hair and sprinkled on his chest like the adornments of an earth god. His arms, outstretched, play with the water. His wide-spread fingers move softly along the water’s edge. He smiles as the sensation of liquid moves through him, past his long fingers.
I stand several feet from the pool, inhaling the scent of moist rocks.

Tuesday, April 06, 2010

Discount Store

A large warehouse space is dimly lit. The overall space is submerged in a grayish hue, though sparse yellow bulbs hang from single black wires clinging to the ceiling every fifteen feet. They hang like the stars, thirty feet from the ground, their light flickering like distant voices from eons past. Gray comes from the high cinderblock walls without windows and the cement floor that breaths a cold, unrelenting truth.
The space is divided into thirty long aisles by twelve-foot tall metal shelves. They shelves are heavy and solid, built for industry and the test of time. Each shelving unit has ten individual shelves packed with old cans of vegetables and beans, fruit cocktail, and dusty sacks of rice and dried lentils. Thirty rows fill the warehouse space, each one thirty feet long.
The discount store is empty of people, though full of old dented goods that await use, to have just one more moment of life. A refrigerated section hums in the far left corner, it alone emitting bright white florescent light, like the opening of a tunnel to another plane of reality. The cold section is stocked with several varieties of packaged tofu, still within their expiration date. There are cartons of milk and large chunks of yellow cheese packaged in cellophane. The light radiates out a few dozen steps from the cold section, illuminating a few hand-made ceramic sinks that sit on the ground beside a tall metal shelf propped against the wall.
In the first aisle from the wall, a magical knife rests on the floor below the first shelf of the unit. It stands out like a giant phallus in the store of mass production, one of only two things made with human hands and careful attention. It is large and mostly flat, curved like a bow, with a long dragon-like head at one point. It is made of silvery-black clay and a small careful sigil is carved into the forehead of the creature. It sits without a speck of dust in the shadow of the tall shelves piled high with cans of black garbanzo beans and peas.
A lone worker stands in the front of the store, behind a row of elevated cash registers, like silent players on a stage. The young man stands ready for a store of empty customers. His black hair manages to shine in the dim yellow light, somehow coming alive despite the gray of the walls and floor and absence of fresh new life. His tan skin pops out of his thin, tight white t-shirt, a testament to sun and melanin and vigor. He is comfortable here in his place, a king in this square castle of old goods and their hidden treasures.

Saturday, April 12, 2008

Western Saloon

There is a modern drinking saloon, somewhere in the middle of the southwestern North American desert. Outside the premises is a barren wasteland, there are no houses, schools or people. The only sign of human society in this environment is the deserted saloon. Inside, there are signs of years of use. The wooden floors, made of a light blond wood are well worn from boot heels and dropped beer bottles. The walls still reverberate with sounds, yet a silence has begun to creep in, as if all the dwellers of this space left very quickly.
There are two rooms, although they are only separated by two protruding 2 foot walls, extending from both the southern and northern walls. The small dividers merely give the slight illusion of separate rooms. The smaller space that one walks into from the desert is the bar room. The southern and western walls, nearly thirty feet tall are made only of glass. The heat of the day pours in. The small rectangular room is empty, save for a wooden bar and the five matching wooden stools topped with red leather seat cushions that line it. Behind the bar is a wooden stairway and carved banister. They lead to a small loft space, where the barkeeper would sleep when the last of the unruly customers would saunter home at 4 in the morning.
To the right of the bar room is the gathering room. The room is arranged with clusters of four or five high- backed wooden chairs clustered around a knee high wooden table. There are dozens of seating arrangements in the large window-less room. The only light comes from the windows in the bar room, and the light in the gathering room is cool and diffused, creating a darker stillness within the space. Along the northern wall is a row of dark brown leather booths. Decorating the northern wall, from the top of the thirty ft wall down to the booths are a series of mirrors.
There are seven rows, each row consisting of seven equally sized rectangular mirrors. The mirrors have a dark wood border/frame. Each mirror is 3 and a half feet tall and 2 and a half feet wide. In the center of each mirror is a large image of different men on horseback. This is a commemorative series depicting the men who led and won the battles for the west. The men all glare directly into the eyes of the observer, delivering such an intensity that it appears as if the horse and rider could burst into the room at any moment, bringing the smell of leather, dust, and horse sweat with them. They are all dressed in the style of the times, except the rogue two who wear leather cowboy jackets. Despite these the two wild ones, they all have large moustaches, dark military uniforms, and the posture of one who believes absolutely in manifest destiny.
In some subtle way, the mirrors are also advertising cheap American beer, although there is no overt name or signage. The advertising and message seem to ooze from the mirrors, psychically communicating their campaign without any need for direct linguistic transmission.
Out of the 36 mirrors, there is one…on the last row from the top and the last one on the right. He is an Indian man. He rides a chocolate brown horse and he is also wearing a cowboy jacket although he is practically naked besides this and his loin cloth. His hair is black and long, blowing wildly in the breeze. He stares solemnly out, knowing what is to come. He is only 39, but looks battle worn and hard, his cool black eyes defeat any attempt at subversion. This is the warrior who led his people to battle, defeating the invading white army only once before annihilation.