Strip Mall

The sun has just left the sky, leaving the faintest glow of yellow hovering close to the horizon. Twilight is all around. Feathering out from the yellow-lit hue is a pale blue which fades abruptly into deep cobalt and purple-black. Several seagulls cross the sky silhouetted against the pale blue night.

I am sitting under the thick metal awning of a short strip mall on the outskirts of a sprawling apartment complex. Squat, two-story condos and tall apartment buildings are interspersed like a twenty minute long checkers match, they stretch for blocks and blocks, creating a mini-city. To the left, several hundred feet behind the grocery store at the end of the strip mall, is an apartment building standing twenty stories tall. A few of the windows are lit from inside, though the majority of them are dark. In front of me, just beyond the parking lot, is a long two-story apartment building that vaguely references Greek architecture with its two white pillars on either side of the main front door.

There are twelve different businesses all sharing the same long florescent-lit awning. At one end is the mid-sized supermarket with a front-facing glass wall. Covering the glass wall are an assortment of neon beer signs that each vie for attention. They blare their colorful message into the night, looking for thirsty eyes and loose wallets. On the other end of the strip-mall is a lonely-singular ATM that stands unprotected against the night. A solitary bulb embedded in the awning shines down, illuminating the money machine.

Between the two anchor points are a dozen storefronts. I sit out front, at the only outdoor table drenched in the glow of an arabica bean-scented coffee shop. My white paper to-go cup of milk-drenched tea rests on the table to my left, the cup still too hot for my fingers to hold. Two men play chess at a small table directly behind me, we are separated only by a thick glass pane and a thousand other invisible walls. Next door, a brightly-lit laundromat hums with the sound of tumbling clothes and a screeching baby that takes short breaths between wails. Three young Asian guys are standing just outside the open doorway to the laundromat. They talk amongst themselves in gangsta accents, simultaneously laughing together and making fun of each other.

Closer to the market at the end is a burger place with a sporty, Hall of Fame theme. There is an ice cream parlor, a smoke shop that sends the constant perfume of nagchampa drifting out its open door, a pizza place, a kick boxing school and two other small storefronts under construction. The steady tap and boom of the construction work mingles with the insistent hum of dryers and swishing washers. Somewhere above, a jumbo jet cuts through the sky, its noisy engines rattling the metal table and the contents of my paper cup.

Beyond the storefronts and sidewalk is a small parking lot with a hundred spaces, though only a handful are occupied by silent cars. Just beyond the lot is a narrow street lined with glowing street lamps and one large silhouetted cypress stands tall and dark against the changing sky.

Convention Hall

The large convention hall is shaped like a rectangle, though there are many banisters and stairs to divide it into multiple chambers, giving the impression of many rooms and divided spaces. The only windows and natural light come from the four sets of glass doors on the south side of the building which are spread every one hundred feet. Besides the exit doors which provide only minimal light through the tempered glass, there are the front glass double-doors and its overhead windows on the western face of the building.

Interior light mostly comes from the intensely bright white spotlights that dangle from the wooden ceiling. The light is directed downwards by large metal lampshades with a diameter of two feet.

The space has a cozy modern feel with angled beams of thick wood that jut out from the ceiling at 35 degree angles and end at the floor of thin gray carpet or ¾ of the way up the vertical beams which are spaced evenly along the sides of the hall, standing every twenty feet and providing structural support for the roof and foundation.

Twenty steps from the front glass doors is a 15-step staircase covered in blue carpet. It leads to a small annex above the main space of the convention hall. The annex has an a-frame shaped rooftop and opposite the front staircase is a maroon railing with a view of the convention hall and another set of stairs that lead directly down to the main lower floor.

The heart of the convention hall is sunk a bit deeper into the earth than the two long sections on either side of it which are elevated by four feet. The three distinct spaces are separated by metal banisters. The outer raised sections are accessible by several equally spaced 5-step staircases that lead to the middle section. There are three staircases on each side of the interior space.

Throughout the three sections are eight-foot wooden tables. Each table is uniquely decorated and covered with varying styles of table clothes. Some are black, others white, some in colorful fabric or cluttered with felt letters or plastic-wrapped artwork. There are hundreds of tables lined up one next to the other. Along the exterior the tables are set up a few feet from the wooden walls. In the center of all three chambers, the tables are aligned to create a large island or donut in the center of the space.

On every table there is some form of artwork. There are books and thin glossy comics. There are dolls, key chains, buttons and shirts available for purchase. There are hundreds of handcrafted goods, all sewn, pasted, drawn, or painted. There are small paper zines and stuffed animals made out of plaid fabric, buttons and stickers and knitted mittens and artwork in mats and wrapped in protective plastic.

Behind every table there is at least one person, though several have two or three. Some people behind the booths smile brightly and try and make eye contact with the people milling about the space. Others stare into books of their own, trying to appear disinterested and distracted. Several are in conversation with their table-mates and others engage actively with the people in front of their table, encouraging them to leaf through books or try on jewelry.

An intense hum of conversation and activity fills the space. It is like the low drone of an airplane, its decibel only detectable once it’s gone.

Market

The air is hot and dry and hurts the skin with each step. I’m covered in a long black robe, my head covered from the sun by a white scarf that billows behind me in the breeze. Bursts of hot wind blow dust into the air, creating dirt devils that swirl and twist violently until they run their course, dying without a trace.

The sky above is clear blue, not a single cloud lingers. The landscape is totally flat, no mountains, no trees, just pale sand that has turned hard enough to walk on without strain.

I walk between rows of tents, on a surface of bleached sand only few degrees shy of white. The road is well traveled, covered in sand ground to fine dust and millions of footprints from those who’ve walked before.

On either side of the four foot wide street are tents made of burlap and dark canvas. The fabric is sun bleached and worn, covered in dust and pale dirt. The structures are square and feel permanent, though they lack formal foundation and could be taken apart in minutes. The roof of each tent is flat and sinks inward, creating an inverted dome in the space within. Canvas walls are tied to metal poles creating the 3 dimensional square. The doors are long rectangular pieces of fabric that can be pulled to one side, creating a triangular entranceway.

On the long street of tents, nearly a third of the tents have their soft doorways pulled to the side. Within those open doorways, close to the street, I see tables of fruit and metal wares. There are woolen carpets and tea in jars and baskets full of buttons and cloth. I can see just the things closest to the door, beyond that are just shadows, darkness that begs the eyes to look. Most of the canvas doors are down and tied, leaving their treasures and secrets hidden from the bright sun. The street of merchants is long, stretching into the horizon and then out of sight. One after the other, they stand without a gap between their walls.

The street is deserted, and I can hear the soft padded sound of my footsteps and those of my companion, also covered in flowing dark fabric.

The smell of thick, pungent coffee and burnt sugar wafts on the breeze every now and then, sometimes mingling with the smell of cigarette smoke. Every so often I hear the thick rumbling laughter of an old man.