Rural Road

The car is parked along the dirt shoulder of a faded asphalt two-lane highway. Cut through a narrow valley, the road is surrounded by trees that rise up into squat hills that eventually form jagged mountains.
We sit sandwiched between a forest comprised mostly of evergreens, though they are interspersed with deciduous trees that have started to turn with the approach of winter.
A spectacle of red, orange and yellow are beautifully mixed with the constant green of the pines. The canopy of foliage is so thick that on the ground the light between the tree trunks is almost black even though there is still a bit of daylight left.  The yellow of the changing leaves matches the dotted lines dividing the highway.
The forest surrounding us is thick, unpunctuated by any houses or roads, though I can smell the unmistakable scent of burning logs in a fireplace somewhere in the distance, the scent of memories wafts in even though the windows of the car are closed tight.
There are no street lamps or the bright double headlights of an approaching car in the coming twilight.  Just stillness all around. The sky is a constantly fading blue without a single cloud and the first glimmering star of the night is straight ahead and billions of miles away. The frosty air of deep fall seeps in through the glass windows and I keep my hands buried in the pockets of my fur-lined corduroy jacket.
The faded light of the day outside has covered the interior of the car in a shadow of dim light. The three people in the back seat are blurred shadows without distinct shapes and their silence is heavy. 
Beside me in the passenger seat is a woman with short blond hair and a chiseled chin that looks like stone, she could easily be mistaken for a petite man given the angles of her face.
A few birds silhouetted in black fly over the highway and towards the mountain peak to the left of the car. They are too far away to hear their cries. 
A key ring with seven copper keys is hanging from the ignition.  The orange engine light is bright on the dashboard, as is the car’s temperature level, which is marked at “H.”
I can feel the cold of the air outside through my thin black jeans. There is a ticking sound that comes from the engine in intervals. The road ahead moves up a gently rising hill and then peaks, making what lays ahead a complete mystery.

Oak Tree

The hum of bees fills the otherwise quiet cool air. They buzz softly around the trunk of an old oak tree where their hive is nestled in a crack that was made in a long forgotten lightning storm. Roots, long and gray, reach out through the carpet of prickly golden oak leaves creating small to mid sized nooks, spaces between the roots where the leaves are thicker.
The canopy of the tree spreads wide like an umbrella and drips to nearly touch the ground so that just a thin band of horizon is viewable between the dark green leaves that hang with resolve on the living branches and the yellow and brown leaves decomposing between the rising roots. Horizon is divided between strips of pale violet sky and the shimmering rolls of grassy hillside, glossy blond after a long dry summer.
A coyote moves smoothly over the hills, ears raised high, picking its way delicately through the rippling grasses with the grace of a ballet dancer. The sweet raspy cry of a hawk pierces the muted hum of the bees and soft rustle of grass, only now and then revealing its presence above the canopy with these cries.
Lying on the bed of leaves a man and woman clutch each other, their cheeks touching. The woman rests on top of the man and he rubs her back and thighs through her jeans and yellow T-shirt, kneading the flesh underneath like dough, his broad hands and strong pale fingers moving slowly and deliberately, almost tremblingly, as if the strength being exerted is only a fraction of what is available and great restraint is required to prevent his fingers from pressing through the flesh to grip her bones.
Her face is hidden against his cheek and neck and under hair the color of old straw that spills out over the ground beside them. She is very still and both bodies rise and fall gently with their synchronized breath.
His clear blue eyes look up from under bushy black brows, gazing at the canopy stretched over them like a ceiling of shivering leaves. Small brittle leaves from the ground cling to the sleeves of his blue and white flannel. His face is smooth and pale, his lips full and bright. His head, covered in a fine layer of dark stubble, rests on a pillow of rolled jackets.
The smell of oak and earth envelopes the place like a perfume and is stirred to freshness by the cooling breeze. Warmth from the heat of the day still lingers in the ground and in the bodies of the man and woman, and on their nearby backpacks, but the breeze carries the coolness of the violet sky and the promise of dusk.
The tiny bodies of the bees can be seen now and then looping their way towards the heart of the tree or venturing away beyond its shelter.
The woman sighs so quietly that it is barely perceptible, except to the man into whose ear her warm breath is expelled at his fingers' urgent request.

Ranch House

The darkness wraps around the low lying ranch house like blanket. All around it, the vast countryside is quiet and dark, an extension of the shadowy gardens that make up the estate. The warm yellow light of fire spills out of the windows of the house, laced with laughter and faint music. The door is ajar, casting a sliver of illumination onto the porch where an orange plastic bowl adorned with black cats and cartoon ghosts sits filled with individually wrapped sweets. It is a single story home adorned with wrought iron lanterns and wooden shutters and doors; frosted with stucco like a mocha flavored cake topped with a red tile roof. The house rests like a sphinx, stretched out upon the earth, gazing with glowing eyes into the night. The air is damp and filled with the autumn odor of crushed leaves, damp hay, and moist ground cover. A mischievous wind promotes these scents and adds a fresh ionized quality to them as they circulate together, wailing and whispering over fences and through the branches of trees. Many little gardens surround the house. Each unique community of plants is linked by stone lined paths of compacted dirt. In some, there grow little pea plants, broccoli, and other plants which are presently out of season so that their little beds of soil lay dormant. In other gardens, squash grows happily on twining green vines adorned with broad leaves that specialize in soaking up the photovoltaic power of the sun. Other garden patches are for flowers and ornamental shrubs. Little brass wind chimes hang from trellises laden with creepers. Weathered wood and wrought iron benches appear in little coves off of the main pathways. These are usually accompanied by trees. Some are laden with little green apples, others bow under the weight of ripe red pomegranates. Yet others are standing naked upon a blanket of their discarded leaves, ready for a long nap before spring returns to insist that they put on flowers for her. There are stepping stones with designs engraved upon them; butterflies, flowers and the like, positioned to add beauty rather than to serve any functional purpose. Now and again, a bird bath is tucked along some path, but the waters in them are filled with soggy yellow leaves. The little dirt trails wind their way through the gardens in search of the buildings that make up the estate; wooden barns that house workshop space instead of livestock, a cottage or two for guests or servants and sheds for gardening tools. They make up their own little village set in the vast nothingness, adrift in a sea of field grass and old oak trees that sprawl out into the blackness of night. A dirt road passes the east side of the ranch house, a main road that must lead to other lonesome estates, and farther off it must at some point connect to one of the black roads of civilization. Here, however, it sleeps silently under the moon whose white fullness is obscured by black clouds that assume phantasmal shapes. They drift across that glowing patch of sky, absorbing the illumination and keeping it to themselves, using it as a backdrop to showcase their eerie forms. The road trails off at the crest of a hill in the north. Crowning the hill on the west side of the road is a gnarled old oak that bends over like a an elderly giant with a crooked back. The grasses sway and shake when the winds icy hand rumples them like a brother mussing up the hair of a younger sister. The grass protests with a low hiss and the wind howls with delight.

Inner Jungle

It is a moonless dark night and the streets of the city are empty and covered in a misty sheen. There are no cars or buses casting their beams, no late night lovers on a clandestine stroll. Only a couple of the iron street lamps are working and the air is thick with abandonment and fog. Dozens of old apartment buildings line both sides of the street. They stand like tall soldiers, side by side, sharing conjoined walls and not a bit of breathing room between. Each 3 tiered building is made from bricks, marble and a slightly different hue of cement, although in the dark night, they all have taken on the same grayish color. Each building has a set of marble stairs leading up from the street, the steps are long and narrow and end in the darkened caves of the unlit landings. They are mostly apartment buildings and an occasional office space, occupied by singles and families, but at this hour, there is no living human presence. Only the buildings themselves and the paved streets and the subtle embellishments of the long-dead carpenters that have left their marks over the doorways and around the windows provide any proof of life or creativity. Inside one of these nearly identical buildings is a flight of stairs. They begin in the center of the building, close to the roof and lead down, eventually passing the basement and journeying further into the earth. There are no windows or doors in the center of the building, only the narrow decline of a never ending staircase which contains itself, taking very little space despite its sheer length. Architecturally, the steps are laid in sets of eight, after which follows an even landing of hardwood which is a small square of 3x3 ft, and then another set of eight steps continue, beginning at a 90 degree angle to the left of the landing. Each floor is the same, the same color, the same sight, the same odorless smell. There are no lamps or light bulbs to be seen, but everything is washed in a bright yellow light, like late afternoon light cast through a florescent filter, but its source is hidden. Each individual step of the staircase is made of a medium colored wood. They are well worn, but still somewhat shiny. There is a wooden banister that follows the descending flight of stairs, like a geometric snake that coils in exact increments; it’s supported in spacious intervals by carved vertical beams that connect the stairs to the horizontal banister. There are slight embellishments along the vertical beams, deep grooves that were carved with a steady hand, simple wooden flowers and leaves designed to almost be invisible among the rich grain of the wood, yet it adds a slight hint of elegance to the internal staircase. The top of the banister is smooth and shiny and slightly cold to the touch. Continuously and without the interruption of doors, windows, picture frames or decoration, is the clean eggshell white walls on the right. Despite the measured sophistication and clutter free interior, another life form adds its chaotic breath. Sprouting with abandon, poking out from the walls like weeds and dripping from an invisible source above is a thicket of psychedelic foliage. Their density is a jungle of colored vegetation, only there is no moistness in the air and the space is devoid of bird cries. Thick, dinner platter sized leaves in shades of red, orange and yellow fill the narrow staircase, their lushness leaving only a 2ft x2ft clear tunnel in the center, three feet from the floor and a couple from the walls and banister. Thick vines swoop from above and connect from wall to lower wall, mocking the straight edges of the banister with their sweeping lines and cascading shoots.