IRS Office

The room is windowless and gray.  There are gray fabric paneled cubicle walls, gray carpeting, and a low ceiling.
The center of the large square room is lined with eight rows of chairs.  The chairs are padded and covered with a patchwork fabric design in deep purple hues.  Each seat is latched to the chair beside it by a metal hook along its edge, creating straight rows of eight. 
Along the periphery of the room are cubicles separated by thick gray fabric covered walls. Each separated desk faces the center of the room, though there are walls designed like sliding doors which can be opened or closed. 
There are three cubicles that are open, the rest are blocked by the portable walls.  There is one woman behind each visible desk, each with varying pale skin tones, but with the same portly figure and plump cheeks. 
The desks are gray and long and uniform.  There is a computer with a raised glowing screen and a wired telephone.  Each different desk is decorated with the snapshots of loved ones and tiny figurines and mugs full of pencils. 
Behind the perimeter of desks is another narrow perimeter of walking space which allows movement from desk to desk or easy reference to the several bookcases full of thick tax code books and reference material.
Beside the front door is a black man sitting behind the oversized receptionist desk.  A rope barrier starts at the door and leads towards the reception desk, forcing anyone who might enter the double glass doors to head in one direction.  As patrons enter he hands each one a paper number and motions for them to watch the glowing screen with red numerals. 
Mounted to one of the walls is a large flat screen tv, it faces the rows of chairs and is tuned to a news station.  Close-captioned subtitles move across the bottom of the screen and there are no speakers. Half a dozen people sit scattered among the chairs, each holding a number and staring straight ahead into the glowing monitor. 
Mumbled voices and the muted tap of the women typing on their keyboards is the only sound.

Auto Shop

The smell of oil and tires linger, though a breeze moves through a wide open roll-up door that faces a moderately busy street. Every so often the multiple swooshing sounds of moving cars outside enter the quiet chamber of the auto shop, interacting with the occasional bursts of mechanical drilling that come from the heart of the garage. There is the occasional clatter of metal hitting metal, or a drill, or the sporadic chorus of ringing phones.
The space is long and narrow and goes deep into the two-story building. The front of the shop is evident to the outside world simply by the open roll-up door and the sign above it that reads in handwritten red paint: “Mas Auto Shop.”
There is a continuous low hum coming from the back of the shop, from someplace far behind the roll-up door and office and waiting area by the front. The sound comes from something mechanical, some machine in a state of waiting, charging for use.
Fifteen feet from the roll-up door is a walled-in office with glass windows on two sides that open into the garage. Inside the space is illuminated by yellow overhead lights. There are two long wooden desks piled with paperwork. There are two computers on each desk, miscellaneous office equipment: pencils, staplers, ballpoint pens, notepads, a calculator. A girl, hidden behind the counter in front of the desks, is talking. She speaks with an Asian dialect, she talks very quickly.
On the outside of the office wall, just above the window, facing the opening of the roll-up door, is a big square blue sign with the Chevron emblem in the center, below the emblem in bold white letters is the word ‘Lubricants.’ Next to that large sign is a collage of other smaller signs. There are signs for the shop’s promotions and specials. “Lamp Station Prices” with hand-written in prices, ‘Smog Check’ signs with the type of inspection and the hand-printed prices beside them, and on the corner of the wall, a big STOP sign, below it is written: ‘Stop here please.’
On one side of the rollup door is a rack of new tires, a small wind chime hangs from a metal bar on the rack. On the other side of the open door is a small space for waiting. A row of decorative bookshelves three feet tall delineates the space between work and rest. The black bookcases are divided into a checkerboard of cube-like shelves, some with open backs and others with cardboard backs. On top of the bookcases are four equally spaced plants in white and blue ceramic pots. Towards one side, there are two variegated climbing ivy plants, and then two other small palms with alternating stripes of green and white.
Within the waiting area are a variety of seats. Against the wall of the shop that faces the street is a black exercise bike. A few feet from it is a gray and slightly stained rug with two loveseats and a wooden bench that face each other. The cream leather loveseat sofa faces the wood and wrought iron bench. Perpendicular to the cream leather loveseat is a worn light brown loveseat. It is plush and the fabric on the headrests is slightly darker than the rest of the fabric, indicating that many people have rested their heads against it.
In the center of the carpet, between all three loveseats, is a large round coffee table. There are piles of newspapers, a week’s worth of news. Almost all of them are in an Asian script, though there is one local newspaper in English, pictures of a neighborhood fire grace its cover. A pile of magazines with only their spines showing sit buried below the piled-up newspapers. An abandoned white paper coffee cup and an empty folded white paper bag which once housed a pastry sit on one end of the coffee table. Across from the coffee cup, on the other edge of the table, is a wide jade plant in a terra cotta pot. A terra-cotta looking plastic tray rests below the pot. A small stuffed Hello Kitty face hangs from a thin string from one of the jade plant’s thin branches.
Between the two plush love seats is a small end table. The wood is worn and the varnish is nearly stripped along the top, though the legs are still shiny. On its surface is a large jade, its leaves are smaller and lighter than the plant on the circular coffee table.
The phone rings and is quickly answered, then again, the space is made alive by the tinkling of the chimes.

Theft at the Airport

I am in a crowded airport, in seems to be in an urban area, somewhere in the South. I am at the bottom of five stairwells and there are people, mostly black youth, going in all directions.

It is all very chaotic and I see a young man in a maroon jersey running up the stairs with my computer. I had left it on a podium, thinking my friend's would watch it, but never clearly communicating my need before i had stepped away to use the phone.
I stare helplessly as the boy is climbing to the top of the landing. I yell "stop that guy! he stole my computer!!" Some people reach out to grab him, both mechanically and unenthusiastically, barely slowing him down.
But he's stopped just enough that a small crowd of teenagers is able to descend upon him, slinging punches..they push him into the bathroom and retrieve the computer. When I suddenly find myself in the bathroom, I realize they haven'tbeat him to save my computer or to help me, they have stopped him because they want the computer for themselves. I hold the computer in my arms like a baby while begging them to let me make copies of my data before they take the computer forever.