Overpass

I am standing on a cold cement sidewalk in the massive shadow of a freeway overpass.  It is daylight and the sky is blue, but from where I stand, the wind has a biting chill.  There are multiple cement ramps high overhead, roads in the sky held up by thick round columns that delve deep into the earth.  Not a bit of sunlight makes it past the four overpasses that from my vantage point, seem to be stacked upon each other.  
The sidewalk reverberates with the thousands of cars driving overhead, coming into me through the sole of my shoes and then up through my legs, venturing further within. The sound of the combined motors, all swooshing and speeding so high above is like a mechanized river, sometimes fading in and out with strength, but never ceasing. 
On the street in front of me, shadowed too by the freeway overpasses above, is a white car.  It is the kind of vehicle used for commercial purposes.  The kind with tools and extra seats for capable men and a spot for a water cooler in the back.  It is a new, still shiny, clean and white, baring none of the scratches of a well-worn vehicle. 
There are a dozen police milling around the vehicle.  Some have climbed into it, pulling open the screwed in seats.  Others look through the dozens of compartments along the sides, pulling out tools, inspecting them, holding up greasy bottles to the light. 
Inside the car I can see a brown skinned man crouched in the compartment below where a seat cushion would have hidden him. The vinyl seat is still in a police officer’s hand as he shouts orders. The man is wearing jeans and a white t-shirt.  He remains in the fetal position he had been in as the shelter is revealed, stunned, blinking at the new source of light.  Several Latin men are already on the sidewalk, laying flat against the ground, their arms handcuffed behind their backs.
The cops' voices are loud and harsh.  The motors of the half dozen police cars are still running, their lights are on, the bright colors of their screaming sirens diffuse into the day. The smell of car exhaust is strong, unchanging despite the steady breeze.
People in business suits walk by the scene undisturbed.  Most give only a passing glance to the white commercial vehicle and its occupants. Women in gray dresses and lipstick, men carrying briefcases and sacks of takeout from nearby restaurants.  Barely a glance at the scene. A breeze blows past me, sending chills over my sandaled feet. The chill rises, finding my chest. 
The police men are pale and distant, uncaring in this bust spawned only by human need.  Their bodies are big and covered in muscle, covered once again by thin blue fabric.  Their guns are black, somehow glistening even in the shade of the multiple freeways overhead. 
My white skirt blows in the wind, tempting my calves with a delicate touch.  I am cold, standing in the shade of a thousand moving cars.

Restaurant

The air outside the building is heavy with the smell of cooking meat. It is smoky and gray and long wafts of smoke protrude from the chimney sixteen hours a day. The sweet smell of barbecue sauce lingers on the wind. It too, presses down on the air, keeping the wind full of thick charcoal gusts. But the heaviness does not invade the building, it just hovers on the outside, waiting just beyond the closed doors and windows, a tangible promise of what waits within.
Inside, the smell of smoke does not penetrate. The walls, both solid concrete and glass, are thick and insulated. Inside, there is the feel of military order. Everything has its place. The trash cans are bolted securely to the wall, framed pictures of men playing golf decorate the walls above. The tables are lined up in rows that vary just enough to give off a slightly human touch.
This is a tightly controlled environment and only specific smells, sounds, and tastes can exist here. There are two walls adjacent to each other. They are almost entirely made of plexi glass except for the bottom two feet, which are standard wall material but covered in brown tiles. The glass walls are covered in huge pictures of burgers that are 6 ft by 4 ft. One after the other line the glass walls, with a small 4 inch gap separating each poster from the other. Images of juicy hamburgers are printed on all the posters. Double patties with oozing ketchup and mustard. A picture of a creamy Oreo milkshake, bigger than life. The images are stark, there is no hiding the leering attempt at physical seduction…a hamburger, a picture of a cartoon of French fries. BAM.
The floor is composed of smooth brown bricks laid in a lattice/geometric pattern. There is a family of Latin descent. An overweight mother, a slightly overweight father, a boy twelve years old, a little girl wearing a gold paper crown. They sit in silence, at their square table, each facing in, reaching for the French fries in the middle of the table. White circular fans whirl lazily above. Against the wall dividing the two glass side walls are more faded prints of golf courses. There are three, each at exactly the same height and held together by a white wooden picture frame.
Directly across from the solid wall, about 30 feet away, is the central hub. A teenage girl stands behind the register. She is slightly disheveled, long wisps of her thick, dirty hair have fallen from the confines of her blue visor, the same hat which some health advisor devised to prevent hair from mixing with food. She mumbles something unrecognizable into a thin, bendable chrome microphone that is attached to the register. Her command is lost in the dull murmur that vibrates and holds like the thick smoke outside.
There are beeps that go off every minute, different sounds for different meanings. They signal cars approaching, perfectly cooked meat patties, heating times accomplished. A small crew of uniformed workers, all looking like they came from the south pacific, busy themselves behind the wall dividing the registers from the kitchen. One is at the grill, flipping meat patties amid lapping yellow flames. She squints her eyes against the barrage of smoke. Another small man to her right prepares the buns with condiments, mayonnaise, mustard, ketchup, lettuce, he piles them on the little buns.
The glow from the heat lamps, directly above the French fryer, emits a beam of yellow light. The sound of a door creaking and closing keeps disrupting the space. The light sound of music is just barely recognizable. A young Samoan woman sings along to the lyrics, she gazes at her 1 year old daughter as she sings. She is curvy, wearing jeans and a black sweatshirt, her long thick hair is piled high atop her head with a rubber band. The baby girl is wearing a gold paper crown, it barely fits on her little head. There are three generations of Samoan woman, each with big slightly slanted eyes and big brown lips and golden skin. They sit at the booth sharing a pile of French fries. Each has a paper cup full of a sugary liquid. They laugh and talk, delighting in the simple closeness of family. The baby stares, she stares directly at me, looking as if she knows.