Showing posts with label booth. Show all posts
Showing posts with label booth. Show all posts

Wednesday, June 11, 2008

Four Ways

The alley is clean of debris. A pale gray isle of concrete is flanked on either side by corrugated steel panels. They are free of graffiti and grime, only a faint chalky layer of undisturbed dust has settled on their matte surface. Here and there the corrugated panel give way to a stretch of chain link fence, revealing an urban expanse of concrete. These glimpses are ghostly, void of any movement, or even signs of life. No streets or sky scrapers may be detected; they are not there. Only a desert of abstract concrete plazas and occasional smatterings of chain link cloistered around empty yards of asphalt. The alley opens into such a plaza. It is covered by a large Constantinoplan dome which hangs over a concrete gazebo with yawning arches on four sides.
Where the alley meets one of these archways, a vendor is positioned with a box of round lollipops hanging from his neck. His hands are gloved with fingers exposed in black and purple striped stockings, which are just visible from under the cuffs of his dirty coat. He wears a dingy straw cap from the striped band of which dangles a silk flower, it’s yellow color blotted out behind darks smudges of grease and soot. A wrinkled red scarf is tied around his throat. A visible layer of soot is cast all over him. His toes poke from holes in his sock out of holes in the tips of his shoes. The brown tops separate from the soles like yawning hippos when he moves on his feet.
As people stream by out of the hall, he presses lollipops into their hands as if they are VIP passes. The trickle of individuals tends to clot were he stands dispensing the brightly colored confections with an air of importance.
Inside the plaza, barkers announce the attractions to be found beyond the other archways. One wears a black silk top hat and a worn red jacket coupled with dirty white leggings and high black boots. The jacket hangs open to reveal a dirty striped T-shirt worn over a roll of belly fat. It all hangs from him like a weathered second skin. He stands before a great wooden sign with white lettering inviting and beckoning the folks milling about in the plaza to pass through his archway.
There are other grubby looking vendors peddling their wares. Some hang back in the shadows, other linger in the center arresting the attention of all of those who pass their way. They sell all manner of oddities, silver spoons and old ties, empty cookie tins, and birds houses. Cigars and peanuts and candy are also to be had; there is even a glass walled popcorn cart with its polished silver kettle popping loudly behind the glass and red and gold lettering.
One archway leads to yet another tattered gentlemen pushing lollipops. Beyond him an auditorium with stadium seating is filling up with an assortment of people, young and old. Many are clustered together in groups; a pair here, a trio there, a quintet up front... Some seem to be families, others are packs of friends. A few are seated alone. Projected upon a screen at the front of the auditorium, a spy movie plays out. Much of its appeal lies in that it is a color remake of an older black and white film. Most of the viewers are engrossed in the well known story. Some move from one seat to another, unable to find the perfect spot. In the dim room, the furnishings are still very distinguishable. The carpet is goldenrod in color, clean but worn. The folding seats are all fashioned with faux wood laminate.
A lean man in a crisp dark suit, white shirt and tie, stands near the projector at the back of the room. The image from the screen dances as a reflection upon the lenses of his silver rimmed eye glasses. His posture is erect, his hair neatly trimmed. In his hand he holds note cards with facts about the movie, its plot, political implications, details about the performers, the director, the writer, and the producers.

Sunday, May 11, 2008

Gathering

It is a large open space, inside a vast modern building. The roof is very high and slightly curved, and scattered throughout are many thick white columns. The walls are white as well, punctuated by light brown and black adornments along the edges. There are large banners high up on the walls and smaller posters at eye level. There are small booths arranged in long rows, forming a criss cross pattern through the hall. Each booth has one or two sellers showing off their items or their skills. People walk from one booth to another, asking questions, admiring the merchandise, talking to each other and sometimes buying a piece. The products are of a wide variety. Some people are selling books and magazines, others sell paintings, sculptures or posters. Others sell unique items: a rare letter from a legendary author, a cross encrusted with the bones of saints, an exotic musical instrument that consists of several layers of cymbals connected by a metal cylinder, a silver scepter said to be from a lost civilization. The sellers are of a wide variety as well. Some are old and sly, wearing overcoats and hats, their eyebrows slant upwards and their smiles seem frozen in place. They know what to say and how to say it, they can respond quickly to any question and have a way of holding their audience in place. Others are young and inexperienced. They sit behind their products, hoping someone will want them and they smile weakly when asked a question, as if asking for forgiveness or pity from the onlookers. The noise of the salesmen and the crowd that moves around them is echoed through the huge space, forming a constant wall of sound that vibrates and feedbacks upon itself.
The entire place is surrounded by a garden. There are several doorways to the garden and they are all open, allowing a gentle breeze to flow through. Outside, people sit, eat and talk. There are many stone paths that connect a multitude of stone tables. There are many cement benches as well, surrounding large carefully trimmed bushes. Several large trees provide shade and there is a large open lawn where kids play. A young boy examines the magical stick that his Dad just bought him. His eyes are full of wonder as they caress every detail of the engravings that cover the stick. The father sits a few feet away, reading a new book while he eats a hot dog. A slight brunette girl poses for her boyfriend wearing a new shiny dress and a pearl necklace she just got. The boyfriend, a young surfer in jeans and a T-shirt, sits and nod in appreciation. An older man with a beard sits with his back against a tree, observing the crowd as it moves past him.
Inside, there is a smaller area that is separated from the main hall only by some bookcases and tables, giving the impression of a self contained room. There are many people there, sitting on metal chairs, arranged like a small theater. They all hold their attention on a middle aged skinny man that stands on a small stage as he speaks onto a microphone. The words that he speaks align with the noise, forming a kind of smooth verbal harmony with the endless conversation that resonates against the walls. A thin blonde woman, wearing a light flowery summer dress, is standing in the midst of the audience and she sings back at the speaker, repeating his words with high melodic flourishes. People applaud sporadically as the woman continues to sing and the man continues to speak. The rational subject of the speech has been lost but something else has been found and it now bounces back and forth between the man and his microphone and the open mouth and heart of the brave innocent singer. An invisible sphere surrounds them and sets them apart from the loud chaos all around. Each word from the man and each high note from the woman seem to expand out and curve around the sphere and give it substance and shape, a kind of almost perceptible translucent blue veil. A woman has noticed what is happening and with her eyes closed, admires their ethereal construction.