Beach at Sunrise

Several miles away from our perch on the edge of the Pacific are a row of cliffs that rise steeply from the ocean waters. They are a uniform purple, their thick shape emerging from the early morning mist of salted spray that hovers over the choppy waves like a silvery ghost. Behind the cliffs, the sky is pink with yellow undertones, a brilliance cast from the emerging sun still hidden behind the low hills to the east which promises the warmest of days.
The ocean stretches out for miles towards the horizon, the waves frosty blue with bright white caps which glow intensely, reflecting the brightness of the sky. As the dawn rolls in, right on time, the wind whips up a trail of moisture from the peaks, leaving an ephemeral white trail behind them which lingers for a moment then disappears into the water and air. The light above plays on the water's surface, casting a hint of pink  which creates a soft glassy hue. This is also true for the water left cascading backwards on the sand to the sea, though the shades of pink vary depending on the amount of water on any given area of cold beach.
I watch the tiny shape of a person on the sand, perhaps a few hundred feet away. They are silhouetted and black against the glowing ground.
Lines of seagulls hover just inches above the water line, coasting on the breeze, barely moving a wing.
We sit on a dirt pullout, a single fence of wooden posts spaced five feet apart and connected by two thick jute ropes spaced a foot and a half apart. A white van is parked to the right of us, the driver taking photos of the landscape with a black phone. To the left, a woman has a towel wrapped around her waist as she undresses and squeezes into a black spongy wetsuit.  Along the coast, about a hundred feet to the left are a row of cars where surfers are in various stages of undress with towels providing a modicum of modesty.
There are a few surfers in the water, about a few hundred feet away. They look smaller than the seagulls, like black pebbles amid the influx of the white capped waves and dark blue waters.

Ocean Beach

The heat of the sun has warmed a billion grains of golden hued sand. They glitter, the multitude of black brown, tan and glassy white, which sparkle like jewels or stars against a pale sky.  Down low, at eye level with the sand, it is an endless expanse, a Sahara of pointed dunes and valleys and not a speck of green.

Ten feet away is a burned up 2x4, the last remnant of a bonfire. It is charred almost all the way through, black and speckled and white with ash, though on one side, the last three inches are untouched by flame.  The right angles are completely intact, as perfect as the day it was cut in a mill long ago.
To the left is a dark blue sea. Incessant waves roll in, not a moment of lag time between the breaking crests which create a constant roar drowning out all other sounds of children playing, seagull squawks or the cars along Highway 1.

Two small land masses sit just off the coastline just about 100 feet from shore. Birds flock to them en mass and cover them with fluff and droppings. Two black seagulls coast on the constant breeze while dozens more sit on the sand in a tight group.

To the right is a gray cement sea wall. Every 100 feet is a flight of seven stairs leading up to the street and the parking lot.  Graffiti speckles the hard canvas, dozens of tags in big balloon letters testify to a midnight voyage, a clandestine moment.
Past the parking lot and Highway 1 is a group of pale orange apartment complexes. To the right of those is a collection of multi-colored townhouses: green, blue, gray, pale gray, and a dull mauve. Behind the townhouses is a hill covered in deep green cypress and interspersed yellow-green shrubs, at the top of which is a small water tower. 
Highway 1 curves along the side of the hill winding out of sight.

Close to the water people walk together mostly in pairs.  Two teenagers, one of them wearing a Batman t-shirt with attached hood and bat ears, have picked up a discarded beach chair. They carry it towards the water, their shoes balanced on the plastic seat as they navigate the sandy terrain.
A flock of black birds takes off from the sand heading west, then quickly change course and fly east.

Ocean Tunnels

There is a wide central chamber, it is the heart of the underground labyrinth with five tunnel-like offshoots that jut from it like gentle invitations for exploration. The offshoots themselves branch off into other tunnels that go on for miles. 
The chamber and tunnels are carved from thick stone. Though there are walls and an overhead roof, the chamber and the tunnels are filled with light which is clear and bright. It holds a pinkish, golden hue that is diffused and does not seem to come from a singular source, rather it seems to both emanate from and come into the space, like a continuous and simultaneous inhalation and exhalation that emerges from the plants and water and sand, from the overhead rocks and walls. 
The ground of the central chamber is covered in a thick carpet of sand. It is grainy and the color of butterscotch and holds the warmth of the pink golden light in each teeny tiny stone.
The ocean is here in this space. It is here, emanating and pulsing, dousing the space with the calm reverberations of constant trance-like movement. 
A row of lifeguards, seven men and women wearing matching red bathing suits, stand in a line, all leaning against a large blue van that faces away from the water source, they stare at the stone wall.
The bed of sand spreads out into the tunnels for several feet and then tapers off into smooth, worn stone.  There are engravings in the tunnel walls and floors. They are ancient and left by careful craftsmen several thousand years before. Dug from the ground, beside a fern growing from a crack, is a bowl in the shape of a sea-shell. The edges of the small pool are scalloped and inside is a bit of tepid water that has grown a bit of vibrant green moss that gently sways. 
The water is sweet and little birds use it for drinking and for baths. The tunnels are bright and just as light as the main chamber. The enormity and strength of the stone walls are balanced with a cool breeze and foliage and a sense of openness.
The chamber is soft and calm, the ocean so tranquil, the tunnels decorated so beautifully. I cry for the beauty I see.

Rocky Sea

The building has the aesthetic of 70s style architecture with flat rooftops and minimal flair, a structure that does not hide its boxiness, but rather flaunts it. It is an apartment building with about 60 individual units organized into three structures of 30 apartments each. The three distinct box-shaped areas are pushed together like cluster squares; from above, they look like a disjointed letter T.  Each building has three stories. Along the edge of each level is a hallway-balcony in front of the doors that lead to each unit, a style popular in motels across the United States. The hallway/balcony is about four feet wide and has a three foot tall black iron fence which delineates the edge. 
The building is constructed and decorated with differing shades and types of wood.  The front doors of each unit are a deep cherry wood which are trimmed along the edges with a paler blond wood with a glossy veneer. The walls of the building which face the balcony are lined with alternating planks of wood, each with a unique wood grain and color.  Each is shined to perfection.
I am standing on the balcony of the third story and look down from what seems like a great distance. Earth is not below, rather, I see a ragged reef of huge gray and white boulders with waves that lap against their sides. 
The assemblage of rocks stretches into the distance and fades into the horizon. The ocean water is a mixture of different colors, in places looking dark blue, in others spotted with turquoise. White surf spreads along the edges of the boulders. From where I stand, it looks like sea and stone, dry land is a memory.  Some of the giant rocks are in a haphazard circle and have created small, protected swimming holes delineated from the larger sea.  I can see three people in one of the swimming holes. From where I stand, their bodies are small as dust.
I hold on to the balcony railing, afraid I will somehow fall off and into the water.  My knuckles are pale and my hands dig into the blunt edges of the metal bars.  It seems like the entire complex is tipping, like at any moment my feet might come off the ground and only my grip can protect me from flipping out and crashing into the rocky water below.

Zipolite

My body is cradled in the strong nylon grip of an old hammock. The purple, blue and red material is faded from the incessant heat and mild salty air, the colors remind me of old beach towels left in the far corners of a linen closet, but the lack of rainbow brilliance is compensated in the tight weaving of the thread, an iron grip which for me, on a wooden platform fifteen feet above the sandy beach below, feels as secure as the cradle of a mother’s arms.
The ocean, no more than two hundred feet away, is calm and dark blue. Rhythmic waves less than hips height, roll in on shore, creating a calming, constant roar on an otherwise quiet beach. In the distance, I can see the silhouettes of a couple, a slim woman in a small bikini, a tanned man in long swim shorts. They are too far away to see any of their features or to hear their conversation or laughter. They walk away from me, their shapes mostly darkened as the sun creeps slowly downward in the sky. They are the only people I see, the only moving shapes besides the blue water stretched out like an open, living canvas in front of me.
A gentle warm wind sways the hammock, and my naked body within it from side to side. Above me is a thin roof which blocks out the direct rays of the sun, but does little to stop the incessant heat which rises from the bright white sand fifteen feet below. The hammock is but one in a row of fifteen which hang suspended from the wooden rooftop. Towards my right, I see the long, single row of one-room cabanas, the wooden platform that stretches the entire length, the rooftop above that shades the platform and hammocks. Each cabana is raised fifteen feet from the ground, a handmade wooden ladder extending from just outside each cabana door to the sand below. Swaying in the breeze, I cannot tell if the beach is prone to flooding or it was just built to give a clear view of the entire beach, a long cove etched between a series of two cliffs that are about a mile apart.
The other cabanas and the other worn hammocks hanging from the overhanging roof are empty. The unfilled carcasses of faded nylon sway slightly in the breeze, moving as gently as the one I rest in, a crisscross pattern etching itself into my slightly tanned white flesh.
Resting high above the sand, I can see both ends of the beach lined with old hotels and cabanas, all looking like relics from another era. Almost all of them are vacant now as the rainy season approaches. The waves roll in to shore, their roar is the only sound.

The Times They Are A'changing

I have been on a beach for years, spending the days playing soccer in a bikini. Each day bleeds into the next with the same activity. The light is both dark and light at the same time, existing someplace out of the normal day and night categories.
There has been a small tribe of hippies living on this beach, pursing happiness. Bob Dylan's The Times They Are A' Changin' starts playing over a loud speaker, and I kneel down, crying. In the middle of my tears, l look up and notice that one of the hippy girls has taken off her worn bikini and changed into some stylish black clothes, she is looking at me through a plate glass window, sorrowfully waving goodbye.
I continue to cry, knowing that one day I will do the same thing, I will leave, with hardly any words to the people who knew and loved me.